

From breathtaking drone shots of island getaways to traveler testimonials and viral TikToks about undiscovered food spots—the travel industry thrives on video. It’s not just content. It’s the experience before the experience.
But with teams spread across time zones, contributors working remotely, and a nonstop stream of footage coming in from everywhere (GoPros, phones, DSLRs, even cruise ships)—things get messy fast.
Let’s take a look at the media mayhem—and how the right system (hello, Media Asset Management) can make it feel a little more like a first-class experience.
🌍 The Travel Industry’s Greatest Asset? Video.
People don’t just want to read about a place—they want to see it. Whether you're a tourism board, hotel brand, or adventure company, your video content is your ticket to getting noticed.
But here’s the catch: creating, managing, and reusing that content isn’t always as breezy as a beachside shoot.
Common Pain Points in Travel Video Workflows
- Lost Footage = Lost Magic
That sunset timelapse? The guest interview in the rainforest? Someone swears it’s on a hard drive… somewhere. Without centralized storage and proper tagging, incredible content disappears into the void—or worse, gets re-shot. - Too Many Formats, Not Enough Time
Phones, drones, pro cameras, and everything in between. Travel teams juggle inconsistent file formats, codecs, and sizes—slowing down post-production and making editors want to book their own getaway. - Remote Collaboration is… a Journey
Your editor’s in New York. Your videographer’s in Bali. Your brand manager is on a plane. Without cloud-friendly workflows, remote collaboration turns into a logistical nightmare of WeTransfers, mislabeled folders, and duplicate edits. - Content Can’t Be Found or Reused
You shot amazing footage in Iceland last year. But can anyone find it now? No reuse = more shoots, more spend, and less return on your original investment. - Brand Consistency Takes a Hit
When everyone’s pulling assets from different places, your message gets diluted. One team uses the new logo, one uses the 2019 version—and someone’s still working with footage that has the old slogan.
A MAM Can Take You Places
A Media Asset Management (MAM) system brings sanity to the travel content circus. It acts as a central hub for all your video, so your teams can focus on telling stories—not chasing files.
Enter: IPV Curator
Curator helps travel brands:
- Store and search footage from anywhere—like, actually find that drone shot from Santorini in 3 seconds
- Collaborate globally in real time without shipping drives or drowning in download links
- Automate the boring stuff, like transcoding and tagging, so editors can get straight to the creative work
- Version control like a boss, so no one accidentally posts that outdated promo again
From Chaos to Curated Content
The travel industry creates some of the most inspiring, emotion-driven content out there. But if that content isn’t organized, accessible, and reusable, it’s not working as hard as it could for your brand.
Media management doesn’t have to be boring. In fact, when it works—it’s invisible. Just a seamless part of your workflow that helps your teams hit deadlines, keep up with trends, and stay focused on the story.
And isn’t that what travel is all about?
Let’s make your media workflow as smooth as your next itinerary.
Say goodbye to missing footage, format chaos, and re-shoots—and hello to better storytelling, faster turnarounds, and more ROI on every frame.
Your next destination? A more efficient, more creative future—with your footage finally under control.
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